There are a variety of choices. We can show you samples of each and help you to decide which will work best with your project
Conservation Glass filters up to 97% of Ultra-Violet light that may cause framed pieces to fade. It is also available in Non-glare
Museum Glass blocks out 99% of Ultra-Violet light and has an anti-reflective coating which virtually eliminates all glare. It is almost undetectable. This is the very best option
Acrylic or PlexiGlass is a form of hard plastic and is much lighter than glass. Acrylic is almost impossible to break and can be treated with Ultra-Violet properties. The reduced weight makes it a very good option for large pieces. However, Acrylic does tend to attract dust, scratches easily and should be cleaned with special cleaners and soft clothes.
Premium clear glass is an affordable option that will protect your art from dust and dirt, but will not protect is from UV light. This is also available in non-glare, which gives a matte finish. Non-glare will also dull the image under the glass (more mats yields more diffusion).
Whether Glass or Acrylic it is best to use an Ultra-Violet blocking material with a minimum of 97% UV blockage. Non-glare, Anti-reflective and Clear glazing are not UV protective unless a special coating is applied by the manufacturer.
A word of caution artwork should never be hung in direct sun or around florescent lights, which put out almost as much UV as sunlight. Use compact florescent bulbs judiciously
All art displayed on this website has full copyright protection for artists and publishers. All rights are reserved.
Art if printed or copied must be for personal information only and not for resale, commercial or personal profit.
Newberg Gallery 115 N. College St. Newberg , OR 503-538-0888